your work…in particular the cloth draped out of the frame reminds me of:The alienation effect attempts to combat emotional manipulation in the theatre, replacing it with an entertaining or surprising jolt.
It was in this context that Brecht developed his theory of Verfremdungseffekt, also known as V-effekt, alienation effect, or distantiation effect. (Important disclaimer: There is compelling evidence that many of Brecht’s greatest ideas were developed in uncredited cooperation with his artistic partners).
The alienation effect attempts to combat emotional manipulation in the theatre, replacing it with an entertaining or surprising jolt. For instance, rather than investing in or “becoming” their characters, actors might emotionally step away and demonstrate them with cool, witty, and skillful self-critique. The director could “break the fourth wall” and expose the technology of the theatre to the audience in amusing ways. Or a technique known as the “social gest” could be used to expose unjust social power relationships so the audience sees these relationships in a new way. The social gest is an exaggerated gesture or action that is not to be taken literally but which critically demonstrates a social relationship or power imbalance.
Uiteraard ben ik 👀 nieuwsgierig naar je nieuwe
maar het is me net iets te duur de toegang . Veel succes 🤞 en plezier 🤩 hartegroet Mir I Am van Praag
🙏🏼🙏🏼🙏🏼
Succes en veel nieuwe inspiratie gewenst!
your work…in particular the cloth draped out of the frame reminds me of:The alienation effect attempts to combat emotional manipulation in the theatre, replacing it with an entertaining or surprising jolt.
It was in this context that Brecht developed his theory of Verfremdungseffekt, also known as V-effekt, alienation effect, or distantiation effect. (Important disclaimer: There is compelling evidence that many of Brecht’s greatest ideas were developed in uncredited cooperation with his artistic partners).
The alienation effect attempts to combat emotional manipulation in the theatre, replacing it with an entertaining or surprising jolt. For instance, rather than investing in or “becoming” their characters, actors might emotionally step away and demonstrate them with cool, witty, and skillful self-critique. The director could “break the fourth wall” and expose the technology of the theatre to the audience in amusing ways. Or a technique known as the “social gest” could be used to expose unjust social power relationships so the audience sees these relationships in a new way. The social gest is an exaggerated gesture or action that is not to be taken literally but which critically demonstrates a social relationship or power imbalance.
I have absolutely no clue what you are saying.
That is good. If you had understood what I said, that would be disconcerting…try clicking on the link and educating yourself…
https://thedramateacher.com/bertolt-brechts-epic-theory/